The paradox is represented in the fact that the most important characters that love deserted in our work are four siblings, whose late father had called them names whose initials form the word "Love"! They are (Akram – Lamis – Housam and Basma). That late man had ready alternatives for both potential sexes for each expected newborn infant. The most important thing is to form the word "Love"! That man was so optimistic with them from this point then.. but they were not at his trustworthiness!
The second pivot is related to the secret realms of man… due to lack of love, and for many other reasons, man sometimes goes to build a special realm for him/her that veils him/her from the eyes of the most close people to him/her… If the police rule says that:"There is no complete crime" the matter here is not that way of perfection. There may be "complete secrets" remained covered up and died with their holders…but in all cases, there are lots of secrets that are disclosed too. When they are disclosed to viewers, those four siblings, and others will discover that they did not know quite well those who they believed they were sharing all the details and moments.

The third and the last pivot is the struggle running between two types of values: a type that identifies "Cleanliness" as actually related to those human idealisms that make from man the highest value in the existence, but nevertheless they are actually related to place and hold the necessary share of his/her concerns besides to – or before – thinking of enjoying the due share of his/her bounties… and another type which does not care much about possessing identification to this "cleanliness" or that "belonging" (as he/she basically doesn't use these vocabularies that, according to his/her opinion, are brought from an antique "wooden" speech dictionary).. If he/she knew it, he/she would philosophize the matter by snatching the vocabularies themselves and subduing the facts on behalf of his/her logic. He/she will agree that man is the highest value in the existence (who can announce the contrary!), but the practice shows that what is meant is that elite "man" that was picked out by multiple factors, the most important of which is his skill in climbing and pledging, and agrees on the fact that belonging necessitates bearing the necessary part of the spatial concerns (but even exceeds this with steps claiming to himself/herself a history of scarifies in this field), but the practices reveals that he/she first of all belongs to his/her own personal or categorical interest if it is conformed with the "space". For him poems are written, but if they are not conformed, there is nothing much easier from jumping immediately to the winning horse.

These two types of values are available everywhere: they are both existed in the power, and they are both existed in the opposition, and as a matter of fact they are both available among the public people…

Those public people are those from who the series will set off with natural elongations towards a representative of an authority from her or representative of opposition from there, but politics is not existed directly in the work. Our heroes are not going to be polarized on the basis of a sort of party gathering, but rather they are going to be polarized on the basis of their belonging to this type or that of values, or their fall in the grey area which is hesitant between them… Each of us in some way belongs to one of them ( in his hand, tongue… or the weakest belief). This struggle has ten ways in which it is incarnated.. The events of this series are going to focus on some of these tens,...

written by: Fadi Koushaqji
Direction: Seif Eddin Sbaii
Championship: Rafiq Sbaii, Kifah Al-Khous, Loura Abou Asaad, Karis Bashar, Abdul Mounem Amairi, Sawsan Arshid, Rami Hanna, Salim Sabri, Milad Yousef, Faten Shahin, Zuheir Abdul Karim, Tolai Haroun, and a number of the Syrian drama stars